And as my friend yawned through sequences that seemed lightning-paced two decades prior, and as he complained that there wasn't a single likable character on-screen (not entirely true, but I get it), I started wondering whether our living arrangement was a mistake. I'd forgotten, though, how “MTV movies” of my youth were basically just “movies” in the mid-aughts.
As Griffin Dunne's hapless yuppie Paul endured a Kafka-esque nightmare in which a planned hook-up in Soho led to his complete inability to get home, the dark-comedy presentation was razor-sharp, the cinematography oftentimes hallucinogenic, and the cast incredible: Rosanna Arquette, Teri Garr, Linda Fiorentino, Catherine O'Hara, Bronson Pinchot … even Cheech & Chong! Most significantly, though, Scorsese's nihilistic rabbit-hole farce felt speedy as all-get-out, and I said so to my roommate before introducing him to the film in 2004.
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Landing after all those slow-motion boxing montages in Raging Bull and his intentionally static compositions in The King of Comedy, 1985's After Hours, from opening credits on, felt like Martin Scorsese's MTV movie – and a brilliant one. He's resolutely Not For Everyone.Īfter Hours : Around the time of 1983's Flashdance, we started getting what were derisively referred to as “MTV movies” – flashily edited, theatrically lit works that resembled three-minute videos more than traditional features.
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You'll notice, perhaps none too surprisingly, that David Lynch is associated with a full three of them. So if you've ever found yourself escorting others to, or hosting home viewings of, entertainments that your loved ones found resolutely not entertaining, here are five titles from 1977 to 1995 that, for me and my friends, led to awkward silences, napping, outright hostility, or, in one case, someone storming out of the room. Midsommar? Not necessarily.) But it most certainly has happened, and as much as I continue to cherish the works themselves, they're all now somewhat tainted by the recognition that they're emphatically Not For Everyone – not even some of the people I thought would get a major kick out of them. Thankfully, this hasn't happened to me a lot, mostly because I tend to have a pretty firm grasp on what my invitees will or won't enjoy. What's the polar opposite of “elation”? Dejection? Mortification? Anyway, it's what comes when you see a movie, adore a movie, talk pals into seeing the movie, and writhe in discomfort as you gradually realize that their silence isn't awe, but rather full-out contempt for the movie. There's a special kind of elation that comes from stumbling into a movie you're crazy about, sharing your enthusiasm with friends, convincing them to join you in watching it, and discovering that they love the film just as much as you do.
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